release date: 2019
rating: 157575 Votes
country: USA
Benny Safdie, Josh Safdie
director: Josh Safdie

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Uncut gems movie. An Oscar Worthy performance from Adam Sandler. The very idea seems utterly ludicrous, like a kind, caring Nazi, or Trump and Hillary having a friendly dinner together. If you had told me a year ago that there would be serious awards show buzz around Adam freaking Sandler, I would have told you that you were out of your damned mind. And yet this is exactly what Uncut Gems delivers.
The performance in question is Sandler's portrayal of high-strung, freewheeling Jewish jewelry dealer Howard Ratner. By all reasoning Howard should be on top of the world. He runs one of the most exclusive jewelry stores in New York, selling bling to rappers and pro athletes. He's got a fancy house on Long Island with a beautiful wife and three kids, plus a swanky apartment with an even prettier young mistress. And he's right on the brink of the biggest deal of his career; auctioning a rock full of uncut Ethiopian black opals. Life should be good.
Except that none of his employees or business partners can stand him, his wife is filing for divorce, and he's up to his ears in gambling debts that are long past due and he can't pay off. Which is why all of his hopes and dreams are riding on this set of opals. Which makes it all the more inexplicable that he chooses to loan it out to Celtics power forward Kevin Garnett- who promptly drops off the radar, leaving Howard to desperately search for his gems while fending off loan sharks and juggling irate family members, impatient clients, and all the other drama in his life. The result is a frantic, chaotic, frequently nail-biting, sometimes claustrophobic, but always fascinating mashup of a movie.
Now it's no wonder that almost no-one in Howard's life can stand him. He is so abrasive; so loud and shrill and short tempered. He has no filter, no chill, no good judgement. He just can't stop mouthing off, getting people's faces, pushing away and pissing off everyone around him. And above all, no matter how deeply in debt he is, he just cannot stop making bets with other people's money. He's hurtling to his doom, pushing pedal to the metal the whole time, and he's the only one who can't see it.
Sandler plays all of this perfectly. He makes Howard utterly pathetic yet deeply sympathetic, unlikeable yet somehow endearing, and always relatable. And yes, as with most of Sandler's roles, he can be very annoying. But this time he's annoying on purpose, and in all the right ways. Watching the utter mess that is his life playing out, you find yourself rooting for him in spite of yourself. You desperately want for his luck to turn around, and for him to break free of his self-destructive cycle, even as you know deep down that it will never happen.
I deeply hope that this marks the beginning of a new chapter in Sandler's career. I pray that we will see him in more productions like this. This movie is proof positive that given the right material and a serious director who won't let him phone it in or pull any of his usual BS, Adam Sandler can do brilliant work, so here's to more of it.
It really is amazing that a movie about such a BS spewing phony can be so authentic. Harold is living in an utter fantasy world of his own making, yet every minute of this movie is so raw and unfiltered. The cutthroat world of the diamond trade, the sleazy, drug fueled club scene, the bookies, loan sharks, and collections men, even the human cost of the mining industry are all shown in unflinching detail. It can be hard to watch, but boy is it ever real.
That's not to say that parts of this movie aren't incredibly stylized. This is a movie that knows how to do montages and quick cuts, showing us dazzling gems from every possible angle. The nightclub scenes are a swirling, vertigo inducing kaleidoscope of light and sound, and the opening sequence of the camera zooming in ever closer on the opal is like a cross between a motion simulator ride and an acid trip.
As much as Sandler's performance, it's suspense that drives this production, and oh how the Safdie brothers know how to pile it on. The entire movie is laced with increasing tension as time runs ever shorter for Howard to find his opal, and the threats from the collection men get more frequent and less veiled. Then the final act ratchets it up to pure, edge of your seat suspense- and turns Uncut Gems into a full-on sports movie.
And that's where things really get brilliant. Every play, every basket will have you on the edge of your seat. With so much riding on the outcome, you'll be invested in every moment of gameplay, which is all the better for being actual NBA game footage. And my goodness, this ending. I thought that after everything I'd seen so far, nothing would shock me, but man was I wrong. When it comes, it feels inevitable and yet truly surprising, which is no mean feat.
This movie is a huge achievement, both for Sandler and the Safdie brothers. It's not a movie for the squeamish or easily offended. It isn't always pleasant or even comfortable to watch. But it is absolutely spellbinding and brilliant on so many levels. It's one of the year's best movies, and hopefully a sign of things to come.

This is an awesome movie. i knew 0 about it and didn't have any expectations either way. after finishing it, i was surprised i liked it so much. in fact, i frequently dislike, or even hate, these kinds of movies. i gave good time a 4/10. but something about this movie was borderline mesmerizing. the music and the yelling, at first i thought it might get annoying but it didn't. i thought i would want it to slow down but i didn't.
great performance by sandler. great directing. some beautiful shots. the story keeps you invested but at the same time wears you out, in a good way (if that makes sense lol. very well made overall (1 viewing 1/6/20.

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